Photo reblogged from kilimandapa with 61 notes
Shirin Neshat - From the Women of Allah Series, 1994
Source: fckyeaharthistory
Photo reblogged from Fuck Yeah Feminist Art & Literature with 35 notes
fuckyeahfeministartandliterature:
Shirin Neshat, Rapture, 1999.
Photo reblogged from Fuck Yeah Feminist Art & Literature with 25 notes
fuckyeahfeministartandliterature:
Shirin Neshat, Passage, 2001.
Source: fuckyeahfeministartandliterature
Photo reblogged from Fuck Yeah Feminist Art & Literature with 51 notes
fuckyeahfeministartandliterature:
Shirin Neshat, Stories of Martyrdom, 1994.
Source: fuckyeahfeministartandliterature
Photo reblogged from too much art with 73 notes
Shirin Neshat, Allegiance with Wakefulness, 1994.
Source: fckyeaharthistory
Photo reblogged from reblololo.tumblr with 447 notes
Still from Soliliquy (1999)
“Soliloquy (1999) explores self-identity and the splitting of the self. The dual projection shows a veiled Neshat roaming through an anonymous modern cityscape (filmed in Albany, New York) on one screen. On the other, a similarly dressed Neshat explores a traditional Eastern cityscape (filmed in Mardin, Turkey). As the film progresses, the opposing images of the artist highlight the differences between the Western and Eastern worlds, exile and home, modern and traditional. As the film ends, she suggests a reconciliation of these dualities by mixing choral music and chanted prayer in a hybrid synthesis of the divergent worlds.”
via Soliloquy | Shirin Neshat | Walker Art Center | Collections and Resources
Source: collections.walkerart.org
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