isgandar:

Face Inlay of the Pharaon AkhenatenEgypt, New Kingdom, Amarna Period, Dynasty XVIII, about 1353-1336 BC
Collection of The Corning Museum of Glass, Corning, NY

isgandar:

Face Inlay of the Pharaon Akhenaten
Egypt, New Kingdom, Amarna Period, Dynasty XVIII, about 1353-1336 BC

Collection of The Corning Museum of Glass, Corning, NY

(via birdonwing)

egypt    archaeology   

centuriespast:

Bull’s Head
To the ancient Egyptians, the bull was a manifestation of beneficient strength and fertility. Early in Egyptian history it became associated both with a number of gods, including Ptah at Memphis and Montu In the Theban region, and with the king and the office of kingship. This bull head is possibly associated with the cult of one of these gods or has royal significance.
Medium: Wood, glass, and ivory
Place Made: Giza, Egypt
Dates: 664-332 B.C.E.
Dynasty: XXVI Dynasty to XXXI Dynasty
Period: Late Period
Brooklyn Museum

centuriespast:

Bull’s Head

To the ancient Egyptians, the bull was a manifestation of beneficient strength and fertility. Early in Egyptian history it became associated both with a number of gods, including Ptah at Memphis and Montu In the Theban region, and with the king and the office of kingship. This bull head is possibly associated with the cult of one of these gods or has royal significance.

  • Medium: Wood, glass, and ivory
  • Place Made: Giza, Egypt
  • Dates: 664-332 B.C.E.
  • Dynasty: XXVI Dynasty to XXXI Dynasty
  • Period: Late Period
  • Brooklyn Museum
egypt    religion    mythology    archaeology   

centuriespast:

Female Figurine
This figurine, one of the oldest statuettes ever excavated in Egypt, perhaps represents a priestess or a goddess dancing or performing ritualized mourning at a funeral ritual.
Medium: Terracotta, painted
Reportedly From: Ma’mariya, Egypt
Dates: ca. 3650 -3300 B.C.E.
Period: Predynastic Period, Naqada IIa Period
Brooklyn Museum

centuriespast:

Female Figurine

This figurine, one of the oldest statuettes ever excavated in Egypt, perhaps represents a priestess or a goddess dancing or performing ritualized mourning at a funeral ritual.

  • Medium: Terracotta, painted
  • Reportedly From: Ma’mariya, Egypt
  • Dates: ca. 3650 -3300 B.C.E.
  • Period: Predynastic Period, Naqada IIa Period
  • Brooklyn Museum
archaeology    egypt   

ancientpeoples:

Mummy of a cat
Crudely mummified cat with traces of inlaid eyes, now removed
Found in Egypt
Date unknown
Source: Leiden Museum of Antiquities 

ancientpeoples:

Mummy of a cat

Crudely mummified cat with traces of inlaid eyes, now removed

Found in Egypt

Date unknown

Source: Leiden Museum of Antiquities 

kitty    egypt    archaeology   

ancientpeoples:

Wooden grave statue of priestess Imertnebes
Middle Kingdom, 12th dynasty, 1991 - 1783 BC 
Inscription : “Gods hand and wife”, so priestess of the god Amun. She is wearing a skin tight dress and the wig was added later. 
(Source: The Leiden Museum of Antiquities) 

ancientpeoples:

Wooden grave statue of priestess Imertnebes

Middle Kingdom, 12th dynasty, 1991 - 1783 BC 

Inscription : “Gods hand and wife”, so priestess of the god Amun. She is wearing a skin tight dress and the wig was added later. 

(Source: The Leiden Museum of Antiquities) 

archaeology    egypt    religion   

aleyma:

Horus falcon inlay, made in Egypt in the 4th century (source).

aleyma:

Horus falcon inlay, made in Egypt in the 4th century (source).

(via psychofink)

egypt    religion    mythology   

ancientpeoples:

Glazed Composition Pectoral
c.1250 BC
New Kingdom/Reign of Ramesses II
Glazed composition pectoral: in the form of a pylon, or temple gateway. It depicts the god Anubis as a jackal, with a winged ‘wedjat’, or sacred eye, in the upper left-hand corner. The colour blue connotes resurrection, as often remarked, and the colour yellow alludes to the sun, itself a powerful symbol of resurrection.
(Source: The British Museum)

ancientpeoples:

Glazed Composition Pectoral

c.1250 BC

New Kingdom/Reign of Ramesses II

Glazed composition pectoral: in the form of a pylon, or temple gateway. It depicts the god Anubis as a jackal, with a winged ‘wedjat’, or sacred eye, in the upper left-hand corner. The colour blue connotes resurrection, as often remarked, and the colour yellow alludes to the sun, itself a powerful symbol of resurrection.

(Source: The British Museum)

egypt    religion    mythology   

egypt    religion    mythology   

ancientart:

A gold gilded object is the shape of a leopard found within the intact KV62 tomb of king Tutankhamun. It bears the boy king’s cartouche atop its head.
Courtesy & currently located at the Egyptian Museum of Cairo. Photo taken by Dmitry Denisenkov

ancientart:

A gold gilded object is the shape of a leopard found within the intact KV62 tomb of king Tutankhamun. It bears the boy king’s cartouche atop its head.

Courtesy & currently located at the Egyptian Museum of Cairo. Photo taken by Dmitry Denisenkov

archaeology    leopard    tutankhamun    egypt   

vagabondbohemia:

Wooden stela of Tjenetdiashakhet

vagabondbohemia:

Wooden stela of Tjenetdiashakhet

(via hermeticlibrary)

egypt    religion    mythology   

tiny-librarian:

The remains of Tutankamun’s Parents, Akhenaten and the mummy only identified as “The Younger Lady”, and his grandparents, Queen Tiye and Amenhotep III.

It was recently proved this “Younger Lady” mummy is in fact Tutankamun’s mother, and a full sister to Akhenaten. Thus King Tut only had one set of grandparents.

(via luminousinsect)

archaeology    egypt    history   

egypt    mythology    hipster gods   

aboutegypt:

Sobek, the crocodile god, at Kom Ombo Temple (by SonomaPicMan)

aboutegypt:

Sobek, the crocodile god, at Kom Ombo Temple (by SonomaPicMan)

(via hermeticlibrary)

egypt    religion    mythology   

swoosh163:

Our Queen Nefertiti

swoosh163:

Our Queen Nefertiti

(via wizzard890)

egypt    nefertiti    history   

egypt    archaeology